The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community. A classic '93 "Mike's" which combines serious improvisation with a touch of the bizarre. All the singles and albums of MIKE OLDFIELD, peak chart positions, career stats, week-by-week chart runs and latest news. Whether it's "Type I" or "Type II" is really irrellevant. The 2nd is all over the map - rhythmic, dissonant exploration, a semi-return to "Mike's," quieter musing with a "New York, New York" tease, an Irish jig of sorts, a "Kung" sandwich with signals, and finally a crazed return to "Mike's" to complete an exercise in improvisational abstraction. Tempo is slower than later versions. Some "CYHMK"-like jamming leads to a quieter improvisational section which pushes the bounds of "Weekapaug" proper. ", The 1st jam of the first '97 "Mike's" is actually less funk-infused than many Fall '96 versions, and is straightforward but fairly intense. Musician/Band. SIGN UP. A '94-style funky breakdown jam leads to a spirited "CYHMK" jam before returning to "Weekapaug" for a high intensity peak, with a great "CYHMK" ending. Then, a settled, quieter section develops in the middle before blasting back into "Weekapaug" proper and closing with a vocal jam. The little 2nd jam, with solid stop/start playing, is icing on the cake. The jam grows increasingly dissonant, then breaks away altogether into classic '94 space. The intensity builds to a fever pitch, with great comping B-3 action and strong rocking play. Our EDM top 100 features the biggest EDM songs, voted by you! An excellent rock-the-house jam. The jam then quiets briefly, before regaining its propulsive high energy nature. The 1st jam gets way out there into serious improv, including twisted "On Broadway" teasing. Download and listen to new, exclusive, electronic dance music and house tracks. "CYHMK"-like jamming leads to some good restrained, improvisational play. Log In. Combining '95-style arena rock with '96 percussion/keyboards and '97 funk, the building hose-filled jam including "MLB"-like moments is 100% Grade A Phish. Builds intensity, returns to the norm, and -> to "HYHU.". This single jam version breaks into a thick soupy funk groove right off the bat, with lots of good variation. None of the other tunes on Ram Jam surpass the bracing standard set by "Black Betty," but there are some other worthwhile moments for hard rock … "Weekapaug" begins at a very fast tempo, launches into the jam, and then Trey re-plays the opening chords at a slower tempo. The short 2nd jam gets intense and electrifying, with more solid machine gun action from Trey. 6. Dissonant jam with lots of "DEG"-like jamming. Trey is great, nicely complimented by Page. Although no "second jam," the post-tramps-segment jam is extended, with Trey passionately soloing (and even trilling) quite fiercely, and there's an excellent peak to the jam taboot. The jam features solid, fairly intense soloing by Trey. Open mike and jam night This event occurred on Wednesday, March 9th, 2016 @ 7:30 pm Opening with a thick, soupy groove, this long single jam has several sections. The 2nd jam begins with sounds akin to "Simple," but gradually descends into a murky caldron of eerie and spacey improvisation. The jam swiftly breaks away from the standard into a mildly dark, rocking and rhythmic groove, which the boys ride for nearly 6 minutes before swinging the ship for home waters. Not Now. It reached #3 on the adult contemporary chart and #6 on the U.S. pop chart in 1966. MUSIC MAKER JAM offers intuitive control making music production even more fun and easy than you ever imagined. Here’s a quick look at the six studio LPs … Cool and atypical jam that includes a stop, some key changing, rhythmic change-ups, a quiet calm, and an explosive and raging return to the typical ending. Mike is also notable for excellent play throughout. A quick tempo, energetic 1st jam gets fired up, then takes a few more laps before breaking to the 2nd at 9:30. Visit the YouTube Music Channel to find today’s top talent, featured artists, and playlists. Listen online, find out more about your favourite artists, and get music recommendations, only at Last.fm The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable. First "Weekapaug" to really break out into an extended improvisational jam, with significant exploratory play, an excellent tease/jam of "On Broadway," signals, a fiery peak, and multiple endings. High-quality "Type I" action followed by a "CYHMK" jam to close. A strong and exploratory jam with good dynamic modulation, excellent Fish, and some inspired and "hose"-like melodic playing by Trey from 7:25 and 9:25. The app comes with four free styles. The jam swiftly pushes outside typical playing, breaking into dark, funky rock. Ends with an extended vocal jam which -> to "HYHU.". Jeff was still in the band. Another tune to add to your DGD song list: *Hop High Ladies, DGD arr. Very improvisational version, for any period. After some "Manteca"-like jamming, the play settles and grows more funky. Suckmusic. ", Single jam format, but there's a lot going on in this funk filled fan favorite. I'm not gonna lie I had to bullshit. By 14:00, a spacey envelope has overtaken, and remains in place until a > to "Contact.".

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