It is a beautiful melody, and this time, Beethoven makes the phrasing the most symmetric possible, which in itself is both a contrast and a musical necessity, there is a need for something which turns out the way we expect it to. 14, No. This sonata, while totally delightful, is delightful primarily on account of being sly in a subtle sort of way, which perhaps has made it a bit of a harder sell. It usually feels like it’s an entity by itself, even if it would “open up” for something new to happen, as it does in op. Beethoven Piano Sonata No.6 in F major, Op.10 No.2 Analysis. This course takes an inside-out look at the 32 piano sonatas from the point of view of a performer. Tar gärna emot fler sådana! 2 no. 1, in C minor, is extraordinarily strongly characterized, and the third of the group, as was often the case, is the most ambitious, with a slow movement that has real Shakespearean tragedy in it. Because while Opus 2, Number 1 is about high drama above all else, the central feature of Opus 10, Number 2 is its fantastic sense of humor. All this is part of the trend towards more “reality” in life, music and arts. View whole album. For example, in the Sonata op. Download all ALAC £2.35. 2, was dedicated to the Countess Anne Margarete von Browne, and written from 1796 to 1798.. That need makes the melody all the more beautiful: the placement of different elements, of when to do what, makes a tremendous impact in Beethoven’s music, and he was probably more skilled in that department than anyone in history. 10, No. This sonata is in F Major, a key Beethoven often used for more serene, pastoral-like pieces. © 2020 Coursera Inc. All rights reserved. Ludwig van Beethoven (1770-1827) 1797; No 6. Part of the reason I like the idea of lecturing about these two works together, though, is that even though they share a tonality – F – and are written only a few years apart, boy do they make the point about each sonata being unique in sound, character, and purpose. Allegro Assai Listen again to the beautiful moment at 0.09-0.10 when the music keeps “flying” instead of “landing”: The way Beethoven plays with the way it “should” be organized is quite typical. 2 in F Major Back to our sonata: the music restarts with the same motive as in the beginning, but now it turns to something completely different, almost exploding all of a sudden: After this, comes the second theme. Allegro Molto E Con Brio 2… 2 now, first the “2+2”: But whoa! 6 in F major, Op. In the Sonata op. One wonderful feature of this new format is that you can watch the lectures at your own pace, so I don’t have to worry about whether being exhaustive becomes exhausting! It comes without warning and without any real reason. It stands for seeing an artistic value in things being non-rational and more extreme, off-balance. But the characteristic szforzandos couldn’t be by anyone else. A detailed guide that analyzes the structural, harmonic and thematic frame. Sounds confusing? Beethoven Piano Sonata No.10 in G major, Op.14 No.2 Analysis. Two hundred years after his death, he is everywhere in the culture, yet still represents its summit. 10 No. Often, a classical piece starts in a quite organized way, we call it the “2+2+4”. Piano Sonata Op. So here we are, with a piece blending so many styles: Style Galant, Sturm und Drang, the folksy style and then some more. Andante 3. Hej Per! Something interesting happens in the beginning. at 0.18 you can hear the little bird-theme again from the beginning, Enjoy… To be able to recognize these two characters, the more aristocratic, elegant style (which is called the Style Galant) and the more simple, folksy, down-to-earth style is quite a key to both playing and listening to music from the classical era. Excellent coverage of the essentials. For example, there is a Pastoral Sonata among the piano sonatas, and that one is not in F Major, but in D Major. Learning The Sonatas (now updated with instruction videos), https://beethovensonatas.files.wordpress.com/2010/07/mp3l.mp3, https://beethovensonatas.files.wordpress.com/2010/07/mp3m.mp3, https://beethovensonatas.files.wordpress.com/2010/07/nyblogg4.mp3, https://beethovensonatas.files.wordpress.com/2010/07/nyblogg5.mp3, https://beethovensonatas.files.wordpress.com/2010/07/mp3c.mp3, https://beethovensonatas.files.wordpress.com/2010/07/mp3d.mp3, https://beethovensonatas.files.wordpress.com/2010/07/mp3e.mp3, https://beethovensonatas.files.wordpress.com/2010/07/mp3f.mp3, https://beethovensonatas.files.wordpress.com/2010/07/bloggny1.mp3, https://beethovensonatas.files.wordpress.com/2010/07/bloggny3.mp3, https://beethovensonatas.files.wordpress.com/2010/07/bloggny2.mp3, https://beethovensonatas.files.wordpress.com/2010/07/bloggny21.mp3, https://beethovensonatas.files.wordpress.com/2010/07/nyblogg6.mp3, https://beethovensonatas.files.wordpress.com/2010/07/nyblogg7.mp3, https://beethovensonatas.files.wordpress.com/2010/07/nyblogg8.mp3, https://beethovensonatas.files.wordpress.com/2010/07/nyblogg9.mp3, https://beethovensonatas.files.wordpress.com/2010/07/nyblogg10.mp3, https://beethovensonatas.files.wordpress.com/2010/07/nyblogg11.mp3, https://beethovensonatas.files.wordpress.com/2010/07/nyblogg12.mp3, https://beethovensonatas.files.wordpress.com/2010/07/nyblogg13.mp3, https://beethovensonatas.files.wordpress.com/2010/07/nyblogg1.mp3, https://beethovensonatas.files.wordpress.com/2010/07/nyblogg2.mp3, https://beethovensonatas.files.wordpress.com/2010/07/nyblogg3.mp3, Learning The Sonatas (now updated with instruction videos). That does not feel like an end to anything at all, does it? The sonata spans approximately 14 minutes. Its main aim is to explore and demystify the work of the performer, even while embracing the eternal mystery of Beethoven’s music itself. Change ), You are commenting using your Twitter account. In the future, Beethoven would have much less of a “melting-pot” of styles in his sonatas. 10 No. Well, I would say it’s a little Sturm und Drang, which is the movement in arts that reacted to the Age of reason ( the Enlightenment). 2 no. At the same time, Beethoven’s music is casually familiar to millions of people who do not attend concerts or consider themselves musically inclined.

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