Within the crossover bandwidth (meaning the range of frequencies that both the subwoofer and the studio monitors produce), cancellation can occur if the subwoofer is not positioned in line with the studio monitors and / or even asymmetrically. Some people even use two subwoofers for a fully stereo system, but this article will focus on single-subwoofer setups. Why do you need a subwoofer in the first place? The benefits of adding an ADAM Audio T10S Subwoofer to your monitoring system are broad: Not only will you expand the lower end frequencies to monitor, you will also get more headroom for distortion-free sound reproduction of your system. This is a crucial step because without a crossover, your sub and monitors would receive the same input and overlap in the low-midrange, creating a muddy sound. These will exhibit a much flatter frequency response than consumer stereo speakers and will produce frequencies down to about 50Hz (albeit with a bit less output on the low-end). It’s not about boosting the bass in your studio, it’s about getting access to low bass frequencies that your setup can output. Many active/powered subwoofers, like the Yamaha HS8S, feature an internal crossover, meaning you can simply connect them between your audio interface (or mixer) and your monitors, and everything technical happens automatically inside the subwoofer. However, they can perform just as well as active models with a good amplifier to power them. So, the T10S is the perfect fit for your 2.1 monitoring system when using monitoring solutions for our T Series. You won’t find yourself pushing the speakers too far to get that deep thumping bass sound. Another option is to get an external crossover unit like the dbx 223xs. ADAM Audio’s flagship reference monitoring range - engineered to reveal details that no other monitors can. Stay informed about events, special offers and other ADAM Audio News. Refer to the technical manual for your monitors and look for the frequency response graph, which shows the range of frequencies in which your speakers are most effective. I have two KRK 5 studio monitors that I'm using as speakers. However, unless it’s calibrated to provide the right amount of bass in a particular range of frequencies, adding a subwoofer can actually do more harm than good to your music by throwing off the accuracy of your system with too much low-end. Since lower frequencies are much less directional than high frequencies, you don’t have to worry about super-specific placement—anywhere on the floor near your desk should be fine. This is of great importance when the bass has to be perfect, punchy and without distortion in big venues for instance. A solution is adding a subwoofer to your setup. Then add a matching subwoofer (usually from the same brand). If you are unable to empirically measure your room’s acoustics, listen to a variety of reference tracks and adjust the sub level until every song sounds full yet realistic (in other words, not exaggerated), and you’ll be in the ballpark. I recently just bought a low budget sub Pioneer SW8K and was wondering what cables I'll need and how to hook it up to my monitor. Monitors with larger woofers will get your system closer and closer to the lower limit of human hearing (20Hz), but at a certain point it may be more effective and more economical to add a subwoofer to your setup. Based on your location, we've changed your settings: By clicking Subscribe, I agree to the processing of my data in order to receive emails. Before clicking “buy” on the first subwoofer that catches your fancy, take some time to analyze your home studio setup and decide if you really even need one in the first place. Because of the compact woofer and cabinet design, a broader output of low frequencies in this price range is not possible. A subwoofer can do wonders to fill out the sound of small speakers in a home studio situation. Adding a subwoofer will also reduce the strain on your monitors. In most cases, if the manufacturer of your monitors sells a subwoofer for that particular line of speakers, that should be your first choice. But there are still lots of misconceptions all around. You’ll notice that the response drops off somewhere between 20Hz and 100Hz—this is roughly where you’ll want to set the crossover. Oops, looks like you forgot something. Once you know how your subwoofer will integrate into your system, you’ll need to decide where to put it. Setup Process of Studio Monitor. Well, assuming you have a good-sized and sound-treated room for your studio, we are going to set up studio monitors in your studio. In the absence of an obvious match for your monitors, you’ll need to learn a bit about the different types of subwoofers available to make the right choice for your setup. Adding a subwoofer to your studio can drastically alter your ability to monitor bass, either for better or worse, depending on how you’ve set up your subwoofer. Sure, your main studio monitors may be capable of reproducing sub-bass frequencies down to 20 Hz, but chances are, unless your main stereo monitors are loaded with 12″ or 15″ woofers being driven by at least a couple hundred watts each, there’s a significant roll-off once they get down below 30 … To work around the physical limitations of a compact and affordable studio monitor we at ADAM Audio developed the T10S Active Subwoofer. For less. As the company is renowned for the quality of its microphones it's no surprise that the sonic character and design of this studio monitor is on point as well. They can also be especially useful for mixing, mastering, and video post-production work by extending the range of your system to reveal ultra-low frequencies that most monitors can’t reproduce. If there’s a bump or a dip in the response just before it drops off, you may want to set the crossover frequency higher to avoid it. Studio monitors can handle low-end frequencies reasonably however having a dedicated subwoofer for this task will improve sound quality. Your purchases help youth music programs get the gear they need to make music. Acoustical measurement software like Fuzzmeasure or RoomEQWizard is extremely helpful here, as the only way to achieve a flat response is by trial and error: Set the level, record a measurement with a test tone, make an adjustment, and repeat until the reading is as flat as you can get it.

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